Maha Gita or Classical Music of Myanmar

The complete body of Myanmar classical songs is usually referred to as. the "Maha Gita." meaning great or royal song. The repertoire is also sometimes referred to as "Thachin Gyi." or great songs. These were the songs of the royal Myanmar courts and form the basis of Myanmar classical music. The Maha Gita repertoire is pervasive in the performance of Myanmar music. It forms the basis of shared tradition of the chamber music ensemble. the Hsaing ensemble. as well as that of solo instrument performances such as the piano. The Maha Gita also provides much of the basis for music in the theatre. both the puppet theatre and that which employs live actors.

The Maha Gita exists in printed collections of the songs texts. There are no traditional examples in notation. No system of notation exists in the Myanmar tradition. During the 1960s. an adoption of the Chinese cipher notation system was used for notation of the single melodic line. A few examples of the skeletal structural patterns of the music have been printed in Myanmar. in Western notation. from time to time since the 1940s.

Kyo Songs. Bwe Songs. Tachin Hkan

Kyo. Bwe and Tachin Hkan are thought to be the oldest parts of the repertoire and contain a great number of songs.

Patt Pyou Songs

Patt Pyou is a song type that was very popular in the court and contains the largest number of songs in the collection.

Loung Chin

Songs of longing

Lei Dwei Than Kat

A group of two special songs.

Myin Gin

Music to make the horses dance.

Nat Chin Nat Chin are songs from the repertoire of the worship and propitiation of the 37 Nats. a native Myanmar religion which exists along side and in harmony with Buddhism.

Yodaya Songs

Yodaya songs are those which were introduced from Ayuthia in Thailand as well as songs which were later composed in that style.

Talaing Than

Talaing Than are songs of the Mon minority in Myanmar.


Bole are laments and songs of sorrow.

In addition to this body of court songs. there are a number of instrumental pieces in the form of opening music for the theatre which are called "Panama Ti'loun." or "first pieces". There are a number of instrumental types associated with the Royal Palace Watch. such as the "neyi." the first music played each morning in the royal palace and the "yegin." played as the watch musicians navigated the moat around the royal palace. A number of rhythmic and melodic types borrowed from folk repertoire. such as "byo." "si daw." and "dophat" also are included in the corpus of Myanmar traditional music. although not formally part of the Maha Gita.
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