Abeyadana Temple
The Abeyadana temple was built during A.D
1102-1103. The temple is located at the north of the
royal palace of King Kyanzittha. It is a temple of
classical architecture, bases square and large porch
in north where there lies a central pillar, and then
a great sitting Buddha. Paintings are the true
treasure of this temple and they are rich of
teaching on the atmosphere of Bagan of the ancient
time.
History
The history of this temple says, while Kyanzittha
sheltered at Nagayon during his flight from Sawlu,
his wife Abeyadana waited for him a short distance
away. At that site he subsequently built this
temple, which is similar in plan to the Nagayon. The
name of the temple was given after King Kyanzittha's
first queen "Abeyadana", whom he married while he
was still a young warrior.
Abeyadana meaning the "abandoned jewel" was a
follower of Mahayana Buddhism since the frescoes on
the outer walls can be seen with images of the
Hindus Gods like Indra, Shiva and Vishnu. The inner
shrine contains a large, brick-built seated Buddha,
but the fine frescoes are the main interest here. Of
the many Buddha niches lining the walls, most are
empty. Some contain bodhi-sattvas and Hindu showing
a Mahayana influence accredited to the tastes of
Kyanzittha's Bengali bride.
The shape of the Pagoda's base which is in the
form of Kalatha pot, its curvilinear roof, mural
paintings and the window style, the structure is
definitely to be of early A. D. 11th century. The
zedi on the top is of Ceylonese design, it is a
well-proportioned cave pagoda facing north.
It is one of those monuments famous for their
fine frescos. The striking feature of its frescos is
that the pictures on the inner wall depict Mahayana,
Theravada Buddhist and Brahmanic episodes. Devas and
their vehicles were also presented in the pictures.
On the western wall are pictures showing the Lord
Buddha giving sermons to the monks, the royalty and
the court and the people presented separately. On
the outer walls are the pictures of Bodisatta
(Buddha to be) sitting on a lotus throne with one
leg up and the other down, and two attendants by his
side. Above it are the pictures of Mahayana themes
and those of recluses living in the caves. On the
outer wall of the image house are paintings in which
the Guardian goddess of the Yamuna River and that of
the Ganges River, Wind god, Moon god, Vishnu, Siva,
Brahma and their vehicles were presented. On the
wall at the northern entrance are the pictures
presenting 550 Jatakas, with captions in ink.
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